| Scheduled Conference | Title | |
| Women and the Silent Screen Conference | Starlets to Secretaries: the Suicide Gesture in the Silent Era | Abstract |
| Kerry L McElroy | ||
| Women and the Silent Screen Conference | The Archive Gone Viral | Abstract |
| Kay Armatage | ||
| Women and the Silent Screen Conference | The Black Female Body from Silence to Sound in Race Films | Abstract |
| Nina Cartier | ||
| Women and the Silent Screen Conference | The Commercial Value of Indo and Afro-Colombian Bodies: Romelli’s Gold Platinum (1937) | Abstract |
| Isabel Arredondo | ||
| Women and the Silent Screen Conference | The Emergence of the Star System in Germany, 1911: Asta Nielsen, Monopolfilm, Audience Attraction, and Investment | Abstract |
| Martin Loiperdinger | ||
| Women and the Silent Screen Conference | The German Diva Brigitte Helm as a Fashion Icon of the 1920s | Abstract |
| Mila Ganeva | ||
| Women and the Silent Screen Conference | The Historiography of Early African-American Filmmakers | Abstract |
| Aimee Dixon | ||
| Women and the Silent Screen Conference | The History that Will Be: Lesbian Cinematic Representation Before Cinema | Abstract |
| Susan Potter | ||
| Women and the Silent Screen Conference | The Image of an Old Revolutionary in Soviet Propaganda: Vera Figner and the Women's Liberation Movement in "The Fall of the Romanov Dynasty" | Abstract |
| Dunja Dogo | ||
| Women and the Silent Screen Conference | The Italian Tradition of 'bel canto' in Early International Cinema | Abstract |
| Victoria Duckett | ||
| Women and the Silent Screen Conference | The Lady Vanishes – on the Archive Drive for a Feminist Ethnic Cinema | Abstract |
| Yiman Wang | ||
| Women and the Silent Screen Conference | The Reinvention of the Cosmopolitan Heroine: Dimitri Buchowetski's Contribution to Swedish Silent Cinema | Abstract |
| Jan Olsson | ||
| Women and the Silent Screen Conference | The Smartest Spectator: Angelina Buracci and the Italian Cinema of the 1910s | Abstract |
| Luca Mazzei | ||
| Women and the Silent Screen Conference | Three Women Pioneers of Egyptian Cinema | Abstract |
| Ouissal Mejri | ||
| Women and the Silent Screen Conference | Voiceless Smiles and the Limits of Gesture in Shanghai Silent Film | Abstract |
| Menghsin Cindy Horng | ||
| Women and the Silent Screen Conference | Who Is This Fan? Fandom and Fan Identity As Seen Through the Works of a Lil Dagover and Henny Porten Fan | Abstract |
| Maj Eimers | ||
| Women and the Silent Screen Conference | Woman, Wife, Screenwriter: Renée de Liot and the Screenplay in the Silent Era | Abstract |
| Micaela Veronesi | ||
| Women and the Silent Screen Conference | Women and Nationalism in Indigenous Irish Filmmaking of the Silent Period | Abstract |
| Donna R. Casella | ||
| Women and the Silent Screen Conference | Women on Strike: The Figure of the Suffragette in Silent Comedies | Abstract |
| Madeleine Bernstorff | ||
| Women and the Silent Screen Conference | Women's Cinephilia and the Reframing of Female Subjectivity in Film | Abstract |
| Rosanna Maule | ||
| Women and the Silent Screen Conference | Women, Bullfighters and Identity in Spanish Silent Cinema: Musidora (1889-1957) | Abstract |
| María A. Camí-Vela | ||
| Women and the Silent Screen Conference | Women, Prisons, and the Silent Screen | Abstract |
| Alison Margaret Griffiths | ||
| Women and the Silent Screen Conference | Wordlessness | Abstract |
| Jane Marie Gaines | ||
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