| Scheduled Conference | Title | |
| Women and the Silent Screen Conference | Metropolitan Women: Geraldine Farrar and Marion Talley Silence Opera on Screen | Abstract |
| Jennifer Fleeger | ||
| Women and the Silent Screen Conference | Movie Prologues: Cinema, Theatre and Female Types on Stage at Rio de Janeiro Cinelândia | Abstract |
| Luciana Correa de Araujo | ||
| Women and the Silent Screen Conference | Moviegoing in São Paulo in the 1920s | Abstract |
| Sheila Schvarzman | ||
| Women and the Silent Screen Conference | Movies in the Lives of American Girls: Interrogating the Evidence Found in High School Memory Books | Abstract |
| Leslie DeBauche | ||
| Women and the Silent Screen Conference | Multiple Sources for Women’s Film History | Abstract |
| Giuliana Muscio | ||
| Women and the Silent Screen Conference | Music and Images in the Cinema of Elvira Notari | Abstract |
| Kim Tomadjoglou | ||
| Women and the Silent Screen Conference | Native and Narration: Josephine Baker and the Cinema of Métissage | Abstract |
| Katherine Groo | ||
| Women and the Silent Screen Conference | Nazimova’s Salomè: Silent Monument | Abstract |
| Dolores Christine McElroy | ||
| Women and the Silent Screen Conference | Our Delinquent Daughters: Reforming Adolescence in Cecil B. DeMille’s *The Godless Girl* and G. W. Pabst’s *Diary of a Lost Girl* | Abstract |
| April Miller | ||
| Women and the Silent Screen Conference | Pearl White and the New Female Image in Chinese Silent Cinema | Abstract |
| Xiqing Qin | ||
| Women and the Silent Screen Conference | Re-reading Hollywood's First Sexual Scandal: Virginia Rappe, New Western Women, and the Bohemian Movie Colony | Abstract |
| Hilary Anne Hallett | ||
| Women and the Silent Screen Conference | Re-Reading the Codes: The Queer History of the Serial-Queen | Abstract |
| Theresa L. Geller | ||
| Women and the Silent Screen Conference | Rediscovering Bianca Virginia Camagni | Abstract |
| Emiliana Losma | ||
| Women and the Silent Screen Conference | Reframing Women in British Cinema Culture in 1910s and 1920s: Issues and Problems | Abstract |
| Christine Gledhill | ||
| Women and the Silent Screen Conference | Rescue Me: An Analysis of the "Damsel in Distress" in Early Pirate Films | Abstract |
| Lynne Elizabeth Bond | ||
| Women and the Silent Screen Conference | Riding Horses and Writing Scripts | Abstract |
| Viktoria Paranyuk | ||
| Women and the Silent Screen Conference | Ruan Lingyu: Star of Chinese Cinema | Abstract |
| Cristina Colet | ||
| Women and the Silent Screen Conference | School of Scandal: Alice Duer Miller, Scandal, and the New Woman | Abstract |
| Anne Morey | ||
| Women and the Silent Screen Conference | Scrapbook as Public Sphere: The Women's Club Year in Review | Abstract |
| Jennifer Horne | ||
| Women and the Silent Screen Conference | Screen Actresses and the Stanislavskij System of Acting in Russian Cinema of the 1910s | Abstract |
| Lauri Piispa | ||
| Women and the Silent Screen Conference | Sickness Becomes Woman: Diva and Love-Sick | Abstract |
| Elena Ezechielli | ||
| Women and the Silent Screen Conference | Silent Comediennes and "The Tragedy of Being Funny" | Abstract |
| Kristen Anderson Wagner | ||
| Women and the Silent Screen Conference | Silent Leading Women: Female Agency and the Construction of Masculinity in Lois Weber's *The Blot* | Abstract |
| Meryl Shriver-Rice | ||
| Women and the Silent Screen Conference | Sirens: Female Images and Roles in Neapolitan Cinema | Abstract |
| Lucia Di Girolamo | ||
| Women and the Silent Screen Conference | Sources and Creation in Francesca Bertini’s Acting | Abstract |
| Nancy Irela Nuñez | ||
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