Browse Title Index


 
Scheduled Conference Title
 
Women and the Silent Screen Conference A Female Touch or a Role Model? Dutch Filmcritic Elisabeth de Roos and the International Film Avant Garde Abstract
Anna van Beusekom
 
Women and the Silent Screen Conference A Lass and A Lack: Women and Comedy in British Silent Cinema Abstract
Laraine Dawn Porter
 
Women and the Silent Screen Conference A Studio of Her Own: Women Producers at First National, 1918 - 1928 Abstract
Hugh Munro Neely
 
Women and the Silent Screen Conference Alexander Khanzhonkov and his Queens of the Screen Abstract
Michele Leigh Torre
 
Women and the Silent Screen Conference Alice Guy and the Transition from Kine-Attractography to Institutional Cinema: The Example of "The Birth, the Life and the Death of Christ". Abstract
Philippe Gauthier, André Gaudreault
 
Women and the Silent Screen Conference Alice Guy-Blaché, Rose Pastor Stokes, and the Birth-Control Film That Never Was Abstract
Martin F. Norden
 
Women and the Silent Screen Conference Amateur Filmmaking Amidst the Institutions, the Case of Claudia Lea Phelps Abstract
Mark Garrett Cooper
 
Women and the Silent Screen Conference Ambivalence of the Camera: The Representation of the Female Body and Identity in Chinese Silent Cinema of the 1930s Abstract
Funing Tang
 
Women and the Silent Screen Conference Asta Nielsen’s (Re-)turn to the Stage in the 1920’s: A Paradox or a Consistent Choice? Abstract
Annette Forster
 
Women and the Silent Screen Conference “A Most Charming Boy”: The Appeal of the Female Boy in US Silent Film Abstract
Laura Evelyn Horak
 
Women and the Silent Screen Conference “Drawn Across the Sea”: Asta Nielsen in America, 1912-1914 Abstract
Jennifer M. Bean
 
Women and the Silent Screen Conference “From Boudoir to Street”: Naturalism and the Suffering Female in International Silent Cinema Abstract
Robert L. Singer
 
Women and the Silent Screen Conference “More woman than a woman” : Oyama’s Femininity and Actress’s modernization in 1910s Japanese film Abstract
Sawako Ogawa
 
Women and the Silent Screen Conference “The Feminine Touch”: Elsie Codd and Transnational Film Journalism Abstract
Clare Watson
 
Women and the Silent Screen Conference Behind the Typewriter: The Role of Women in the Development of the Screenwriting Profession Abstract
Maria Fosheim Lund, Livia Bloom, Daniela Bajar
 
Women and the Silent Screen Conference Bruised and Confused: Helen Morgan on Stage on Screen Abstract
Amy Lawrence
 
Women and the Silent Screen Conference Cabiria’s Masters and Slaves: Race, Libidinal Investment and the New Roman Empire Abstract
Shelleen Greene
 
Women and the Silent Screen Conference Carmen Santos and the Starlight Abstract
Ana Maria Pessoa dos Santos
 
Women and the Silent Screen Conference Colouring the Figures. A First Survey on the Relations Between Working Women and Hand Colouring in Italy Abstract
Federico Pierotti
 
Women and the Silent Screen Conference Distant Dreams – Flapper movies and Finnish Film Culture Abstract
Jaakko Seppälä
 
Women and the Silent Screen Conference Edna Vercoe’s Scrapbook "Romance with the Movies" (1914-1915) Abstract
Richard Abel
 
Women and the Silent Screen Conference Elenonora Duse, Grazia Deledda and Friends: A Feminine Collaboration in the Country of Melodrama Abstract
Elena Dagrada
 
Women and the Silent Screen Conference Eurhythmy or the Sound of an Arabesque? The Musicality of Gesture and Bodily Expression in Germaine Dulac’s Early Silent Films Abstract
Tami Michelle Williams
 
Women and the Silent Screen Conference Exit Flapper, or Lois Weber’s Critique of Jazz Age Hollywood Abstract
Shelley Stamp
 
Women and the Silent Screen Conference Fade In: Rediscovering Katharine Hilliker Through Choices in Historical and Digital Research Abstract
Bethany Czerny
 
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